Chilean poet Vicente Huidobro's El creacionismo ("Creationism")-conceived circa 1912-holds that a new object of the imagination is universally translatable because its substance is free of all laws that would otherwise govern its meaning. Transnational, multilingual, extradisciplinary-el creacionismo fomented a body of work that remains essential to understanding the poet's visionary, disruptive role in a world increasingly destabilized by the insularity of human technique. El Creacionismo<7I> collects Jonathan Simkins widely published and acclaimed English translations alongside Huidobro's original Spanish texts in a new bilingual edition, with a foreword by Leo Lobos.
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