Nathaniel Hawthorne’s gripping psychological drama concerns the Pyncheon family, a dynasty founded on pious theft, who live for generations under a dead man’s curse until their house is finally exorcised by love. Hawthorne, by birth and education, was instilled with the Puritan belief in America’s limitless promise. Yet – in part because of blemishes on his own family history – he also saw the darker side of the young nation. Like his twentieth-century heirs William Faulkner and F. Scott Fitzgerald, Hawthorne peered behind propriety’s façade and exposed the true human condition.
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