Rivera

Rivera

Kettenmann, Andrea

$540.00 MXN

Sinopsis

Diego Rivera (1886-1957) is a loud presence on the art historical stage. With devout political principles and a turbulent romantic history, he was at once husband and paladin of Frida Kahlo, advocate and adversary of Stalin's Soviet Union, and liberator and traitor of Leon Trotsky.

Vibrant, graphic, and often monumental, Rivera's paintings carry the same live political and passionate charge as his personal biography. Fusing European influences such as Cubism with a socialist ideology and an exaltation of Mexico's indigenous and popular heritage, he created a new iconography for art history and for his country. He became one of the most important figures in the Mexican mural movement and won international acclaim for his public wall paintings, in which he presented a utopian yet accessible vision of a post-revolutionary Mexico. In 1931, Rivera was the subject of MoMA's second ever monographic exhibition.

This book explores the unique blend of influence and ideology which secure Rivera's place as both a unique and a universal painter, bound to the particular turbulent experience of early 20th century Mexico, and yet preoccupied with subjects such as revolution and class inequity which continue to speak to us today.

Editorial:
Taschen
Materia
Arte mexicano
ISBN:
978-3-8365-0413-3
Páginas:
96
Encuadernación:
Pasta dura

Disponibilidad en Centros

  • Condesa
  • Polanco
  • Santa Fe
  • Perisur
  • Zona Rosa
  • Roma
  • San Ángel

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Otros libros del autor

  • Rivera
    Kettenmann, Andrea
    Rebel with a causeA revolutionary spirit in modern artDiego Rivera (1886–1957) is a loud presence on the art historical stage. With devout political principles and a turbulent romantic history, he was at once husband and paladin of Frida Kahlo, advocate and adversary of Stalin’s Soviet Union, and liberator and traitor of Leon Trotsky.Vibrant, graphic, and often monumental, Rive...

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  • Kahlo
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    The arresting pictures of Frida Kahlo (1907–54) were in many ways expressions of trauma. Through a near-fatal road accident at the age of 18, failing health, a turbulent marriage, miscarriage and childlessness, she transformed the afflictions into revolutionary art.In literal or metaphorical self-portraiture, Kahlo looks out at the viewer with an audacious glare, rejecting her ...

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  • Kahlo
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    The arresting pictures of Frida Kahlo (1907–54) were in many ways expressions of trauma. Through a near-fatal road accident at the age of 18, failing health, a turbulent marriage, miscarriage and childlessness, she transformed the afflictions into revolutionary art. In literal or metaphorical self-portraiture, Kahlo looks out at the viewer with an audacious glare, rejecting her...

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