Istanbul Noir presents stories from a city at once ancient and modern, Asian and European, postcard-perfect and simmering with rage.
“Istanbul straddles the divide of Europe and Asia, and its polyglot population of 12 million seethes with political, religious, and sexual tensions, as shown in the 16 stories in this strong entry in Akashic’s noir anthology series . . . a welcome complement to the mostly historical mysteries set in Istanbul.” ?Publishers Weekly
Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.
Brand-new stories by: Müge Iplikçi, Behçet Çelik, Ismail Güzelsoy, Lydia Lunch, Hikmet Hükümenoglu, Riza Kiraç, Sadik Yemni, Baris Müstecaplioglu, Yasemin Aydinoglu, Feryal Tilmaç, Mehmet Bilâl, Inan Çetin, Mustafa Ziyalan, Jessica Lutz, Tarkan Barlas, and Algan Sezgintüredi.
From the introduction by Mustafa Ziyalan & Amy Spangler:
“As submissions for Istanbul Noir started to come in, it became increasingly clear to us that what was taking shape was not just some collection of dark stories set in old Stamboul, but a rich portrait of the city itself?or, at the very least, a particularly revealing series of snapshots. Mind you, it is a city shaped largely by the often vicious ebb and tide of the nation’s politics. Although Ankara may be the capital of the Republic of Turkey, the truth of the matter is, with a good twelve million people and thus a fifth of its population, Istanbul is the throbbing, often bleeding, heart of the country’s politics. And it shows . . .
Lying at the crossroads of East and West, Istanbul belongs to neither and to both, and it is precisely this elusive in-betweenness upon which the city thrives. No matter how much blood is spilled trying to conform to Western standards, they just don’t stick in this slippery city. Here, you don’t break the rules, you forge a loophole through them . . . A den of sin and a bastion of virtue, Istanbul is a fog-covered playground of power and resistance, denial and repression, and if you don’t know the tricks of the game, you’ll likely feel the urge to abandon your marbles and go.“
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