A book from A Nos Amours gathering up all the research and writing that went into making the London Chantal Akerman retrospective possible.
Between 2013 and 2015, A Nos Amours presented in London a complete retrospective of the films of the celebrated film-maker Chantal Akerman. This was a complex and demanding project as rights and screening copies turned out to be widely scattered and difficult to access. The research needed to present this retrospective is offered in this book so that others may easily follow suit.
Also included are the texts, journalism and blogging that was offered to the audience as a means to engage with film-works that are at once radical, heterodox and, in many cases, too little known. The book aims to provide an accurate and reliable source of detailed information about the films.
Texts are included that provide invaluable insight, including by: Raymond Bellour, Richard Brody, Ivone Margulies, Marion Schmid and Ginette Vincendeau.
Laura Mulvey provides an expansive foreword, surveying Akerman's achievement, urging use of the book as an aide-mémoire for what stands as one of the most astonishing bodies of work in all cinema:
"As a collage of writing of many different kinds, the Handbook crucially bears witness to the effect that Akerman has had on the film community, from her earliest movies until her last... The high quality of the texts included in the book are all a reminder of the way that her ‘cinematic’ qualities have advanced our understanding of film." (Laura Mulvey preface)
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