Ploeger, Jonas / Gorey, Edward (illus.)
A master of the mysterious, Edward Gorey’s artworks and writings abound with misadventures, oddities, and oblique humor. His forays into experimental theater follow suit, and to much delight, he designed pin-back buttons to accompany them. Now coveted by collectors, these bespoke buttons--created as souvenirs for the plays, puppet shows, revues, and other "entertainments" that Gorey wrote, designed, or directed--possess a curiosity factor disproportionate to their small size. Flapping Ankles, Inverted Commas, or Tinned Lettuce? Such buttons and the shows they were based on offer send-ups of staid conventions (idiosyncratic napkin folding, anyone?) or make cryptic suggestions to "Embrace Etceterism." But he didn’t stop there--in his trademark style Gorey both lauded and gently spoofed his beloved New York City Ballet, and even dabbled in a bit of political commentary. With each button Gorey fashioned, he put the wearer at the center of a memory, a recollection of a particular place and time. Buttons (Gorey’s especially, with their enigmatic designs) necessitate some form of personal connection-- perhaps a laugh or a discussion, but at least an offering from one person to another. Gorey made his buttons as a reminder that one had "been there," had made that connection, and would carry that moment with them--literally and figuratively.
Advertencia: Las existencias de nuestro sistema no son precisas al 100%, por lo que antes de dirigirte a una de nuestras sucursales, te recomendamos que llames por teléfono para confirmar su disponibilidad.
